Mick’s DOOM sound is sadly missing from the new game, so I went back to his old GDC talk and tried to create it (in spirit, as you’ll see) using the info he gave us. Renoise Is Doomed (xrns download).

When you understand how features work and how they can be connected together, you can create something entirely new. This is possible throughout Renoise, and ‘Building An Effects Stepper’ is one example. This video stands apart from all the others that came before. So after the intro it shifts into ‘unscripted mode’, where I talk about building something new in a (hopefully) appropriate manner.

Adding modulation to samples greatly expands the possibilities of their sound beyond the original audio. If you’re unfamiliar with the Modulation section, this video shows the basics of constructing envelopes, using presets and Sets.

I figured out a way to work around using the LFO so that the Effect Stepper does not have its previous limitation. There’s also a way to replace the Formula with an ‘LFO-Stepper’, though this method is still limited.

In an instrument when you assign a sample to a Modulation Set and an FX Chain, normally you’re stuck with the choice you’ve made. However, by employing a bit of ingenuity, there’s a couple of ways around this.

A Renoise playthrough of the first track from the EP ‘The Music Makes Us Do It’, in glorious 4K 60fps.

Here’s five more lesser-known movies and hopefully you’ll find something worth checking out.

I finally managed to finish and release the new EP in time for Halloween. It includes a vastly improved version of my Mutant Breaks 13 entry. Available now on Bandcamp.

An accompanying video for the new EP, The Music Makes Us Do It, demonstrating how I mangle sounds by combining fast, short sample loops with the LoFiMat’s sample rate restriction.

Shaping sounds with an envelope has been a common feature of audio production since the early days of hardware synthesizers. In Renoise and Redux, the Envelope device provide you the ability to create complex multi-stage envelopes.